This is one of queen victoria film earliest films in the YFA collection. The procession, filmed by a single static camera, passes through a wide street which is decorated with bunting. A crowd has gathered at the sides of the street to watch the procession which is guarded by policemen. Following his death in 1861 the Queen became an increasingly secluded and remote figure, not held in any special regard by the British people. As her reign lengthened, however, her image changed to that of a venerable and respected figure worldwide she became Empress of India in 1876 , the figurehead of an age that began with the revolutionising effects of the railway and ended with an equally radical and transforming invention, moving pictures. Her first encounter with the latter was on 3 October 1896 at Balmoral and was recorded in her journal. 'At twelve went down to below the terrace, near the ballroom, and we were all photographed by Downey by the new cinematograph process, which makes moving pictures by winding off a reel of films. We were walking up and down, and the children jumping about'. The subjects of this film, which survives, included the Queen herself, seen in the pony cart that she often used, Tsar Nikolas II and the Tsarina, the Duke and Duchess of Connaught and several royal children though not the two-year-old future Edward VIII.
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The wedding of Queen Victoria and Prince Albert Fortunately, she falls in love with one of the candidates, the handsome young Prince Albert. In a key scene, they play chess together. Victoria admits that she feels like a pawn in a game played by others. The central performances of Emily Blunt as Victoria and Rupert Friend as Albert are well balanced and convincing, and their chemistry is palpable.
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Иначе обстоит дело в тех компаниях, которые рассчитаны на постоянные инновации, охватывающие все предприятие в целом. Исходное допущение, что рядовые менеджеры и служащие низшего и среднего звена не могут выдвигать сильные революционные идеи, обеспечивающие рост, рассматривается в этих фирмах как парадигма, неприменимая к реальной практике XXI.
Фирмы - сторонники инноваций нацелены на интересы и нужды потребителей своей продукции. Это означает, что необходимо поощрять клиента к высказыванию своего мнения - и учитывать его в разработке и реализации новых концепций, которые, в конце концов обеспечат рост.
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